It’s arguable that cultural criticism in song-writing dates back to the earliest recorded entries in the folk-music field. That is what folk music means, in its most fundamental sense – art for everyday people, with everyday concerns often running counter to those of big business and politics.
While the protest song as we know it saw its heyday along with the hippie ideal in the 1960s, important artists such as Woody Guthrie were laying down open-eyed observations much further back.
Faron Sage follows a long and important lineage of ‘socially-conscious’ musicians, and stands as an important voice in a musical landscape which seems oddly free of strong, anti-establishment artists. As Sage himself says of his work (which extends across multiple fields): “This is music and thoughts for a better world.” Whether you agree with his opinions or not, you should admire his bravery and commitment.
For those looking to explore Sage’s work, you could do worse than to start with his new single “Status Quo” – a timely exploration of the dangers of rat-race, consumerist culture. Faron, who also regularly blogs on topics including mental health, climate change, and futurism, maintains his anonymity behind a cartoon mask. A reminder, perhaps that the message is more important than the messenger.
This is heartfelt, anarchic music from an artist who puts his life’s passions into his work. With electronic beats, fuzzy-edged guitars and reverberating synths, Faron moves from experimental to quirky dance textures with ease, contrasting slick beats with cutting social commentary This is an important musician who communicates ably through music with his acerbic wit and compelling compositions.
