The first release of many, ‘You Do You’ serves as a great introduction to the project. Kicking us off with drums and a piano, it sets the mood for the track brilliantly as JShell comes in with a vocal performance that suits the track perfectly. Without a drop-off in quality, the music changes pace and energy that JShell’s vocals match throughout. A brilliant track, it dovetails with the video well, with a simple, hand-drawn style that gives each lyric a visual that only adds to the quality of the song overall.

The first release on the album, it’s been drip-fed to us from January 17^th up until February 14^th, giving each track its own time to shine. With each track hitting the mark, the addition of music videos for each song ensures that the quality is only added to, and makes the album immersive from the very start. Out now, ‘In My Head’ is ready for you to hear and watch each and every second – don’t miss this!

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The album starts off perfectly with ‘Highway Diner Plates’, a track that clearly has Bob Dylan inspiration, it’s where Sullivan showcases his abilities for the very first time. Vocals and music all coming together wonderfully, it’s a track that by no means disappoints, and sets the tone nicely for the album. The second track, ‘All the While I Was Away’, is where Sullivan really shines – his vocals carry emotion and a vibe that is unrivalled, giving a performance that makes you want to listen to it again and again.

A start as good as this can be hard to maintain, so it left quite cautious that Sullivan may have already peaked on the album – how wrong we were. Sullivan carries on the demonstrate his clear ability and command for music, as he writes songs such as ‘If You Know What’s Good for You’, ‘The Olive Tree’ and ‘I’ve Encountered Many Struggles’, all showing the same quality as the start of the album.

After listening to ‘Gethsemane’, you will be addicted to the sound and talent of Reece Sullivan, as he puts out track after track of some of the best lyrical and vocal folk music we’ve heard for a long time, on top of music that sets a mood and tone with expert precision. With the album already out, make sure that you dive right into ‘Gethsemane’!

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Split across three chapters, each chapter tells a story of its own, with music that reflects on moments in Lemzi’s life. The first chapter, Polluted Mind, is introduced to us with ‘The Slump’, a track that speaks on the lowest moments of Lemzi’s career so far. A bright beat and immense lyrical ability, it tells a story of how Lemzi is feeling in a brilliant, succinct way as he talks about his journey with his own mental state. The next track, ‘Bill Dis.?!’ hits with the same beat and lyrical ability that keep your attention, while also telling a story of being in a situation that you should, or don’t want to be in. A brilliant introduction, it shows an ability beyond music, it shows a knack for storytelling that makes his perspective and lyrics feel even more immersive.

The second chapter, Outsyde, is about enjoying your freedoms. Having had to put this project on hold due to Covid, it was a poignant time to reflect on personal freedoms, and the track ‘Liberty’ demonstrates that in the best way possible. A bouncy track with clear garage influence, it’s a track that is all about dreaming of a life without boundaries, capturing the essence of what freedom means.

The third and final chapter, Reasoning, starts off with a track called ‘Good Grief’ – a reflective track that looks at how we feel about grief. Having lost family along the way, it’s a track steeped in personal experience from Lemzi who is able to convey emotions with ease, showing not only his ability as a musician, but as a lyricist, just as he has done throughout the project.

An overall fantastic project, it pushes the boundaries of musical expression and takes the listener on a journey of highs, lows and important lessons that are always worth keeping with you. Lemzi himself, shows himself to be a musician of the highest quality, able to put lyrics and music together to create stories that can be understood on a personal level. ‘Outliers – A Creative Project’ is a fantastic display of talent, perspective and emotions that have been delivered in the perfect way. Out now, you simply cannot afford to miss this!

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Kicking off ‘Old View of the New World’ is the brilliant ‘Ballyhoo’, a minute and a half mood setter that is already showing a deep prog-rock similarity, delivering a Gilmour-like solo that has your attention straight away. The follow-up track, ‘See the Light’, is the first time we’re introduced to the vocals of Tom Adamson, and he does not disappoint. Suiting the feel of the music and able to build momentum, it’s another brilliant track that demonstrates everything you need to hear in a great prog-rock album, with yet more fantastic solos stealing the show. The following track, ‘Old View of the New World, solidifies the album as a real gem. Jazz influences shine for the first time with a saxophone, playing alongside the fantastic guitar riffs and drums that we’ve become accustomed to.

Moving through the album, tracks such as ‘The Black Dinner’, ‘Just Another Way to Make a Friend’, ‘Waiting for Life to Begin’ and ‘I Am Mean’ showcase everything that we loved about what we’d already heard. Impeccable vocals, fantastic prog-rock music with a unique and refreshing jazz feel that helps the music stand out each and every time. Released in the back end of December last year, this is an album that you cannot afford to miss. An overall brilliant project from a brilliant artist, ‘Old View of the New World’ is waiting for you to dive right into!

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The first single from the album, ‘All the While I Was Away’, it showcases the first signs of Sullivan’s talent, introducing us to a simple acoustic guitar which is quickly followed by Sullivan’s vocals. Instantly hitting all the right notes, both the music and vocals dovetail together beautifully to create an emotional feel to a song that tells a story. A genuinely brilliant opener, it gives any listener everything you need to know about what Reece Sullivan is all about, giving you all the more reason to stick around for his second single, and ‘Gethsemane’.

Hitting play on the second single, ‘Don’t Fail Me Now’, which drops on February 17^th, we wanted to hear more from Reece Sullivan, and how he intends to deliver on his talent on a consistent basis. After the first track, where he showed a fantastic ability to convey all sorts of emotion in his lyrics and sound, we hoped we’d see more of it – and we did. With refreshingly brilliant vocals and the same acoustic guitar sound, this time backed up by a string instrument, perhaps a cello or a violin, Sullivan really cements his position as a fantastic artist, who doesn’t need complex music or an off the wall approach to stand out. His ability is enough, with some of the simplest approaches to music that is far, far from plain, it keeps you waiting on each note and word for every second of the track.

Both singles demonstrate Sullivan’s ability in the best way possible. Allowing him to rely on his own ability rather than an expansive production value or over the top additions. These heartfelt, unique and brilliant lyrics paint a picture, and his vocal style delivers it in a way that respects the storytelling. A real example of what music should be about, both singles knock it out of the park in terms of expectations, raising the bar incredibly high for the rest of ‘Gethsemane’. With a release date of February 23^rd, make sure you make a note of this in your calendar, and don’t miss out!

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Kicking ‘Leven the Vale’ off is a drumbeat that’s quickly followed up by the immense talent of lead singer, Joseph Watema, whose delicate yet powerful vocals instantly give the song a calm feel that is welcomed with open arms, while also having you on the edge of your seat. Moving through the track, we see the same fantastic drums and vocals, mixed with fantastic guitar riffs from Andrew Marsland that carry the same feeling perfectly, allowing Watema to take centre stage throughout. With composition done perfectly with music from Marsland, vocals from Watema, and lyrics by Ian Retson all on point, it’s easy to tell that this will be on repeat again and again on so many playlists. Rounded off by a guitar solo and the same brilliant vocals, it only adds to our hope that this will be an album that will exceed each and every expectation.

Released with an accompanying music video, directed by local filmmaker Harvey Smart, it adds another dimension to the track that already has a personal feeling to it, keeping it all local making the homecoming track even more poignant. Released in December, ‘Leven the Vale’ as a single and album are ready to be enjoyed – make sure that you don’t miss out on this!

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With ‘In My Head’ on the way, JShell has released ‘You Do You’, a single from the album that is showcasing exactly what JShell wants to achieve with this album. Fantastic music with great lyrics that is supported by a video that dovetails with the music perfectly. A truly immense track, it’s a promising first glimpse at what could be with us very soon!

The video for ‘You Do You’ is already made, giving a brilliant visual match up to the music that makes it that bit more engaging and interesting. Not complicating it at all, the video is the style of something hand drawn, creating the perfect easy watching experience that a song as impossibly cool as this deserves.

A truly brilliant track with a unique video alongside, JShell gives us the perfect introduction to his upcoming album that is sure to contain more of the same quality that we see in ‘You Do You’. Exciting projects such as this don’t come around often, so make sure that you don’t miss out on this!

JShell’s Website

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The album boots the doors off in style with the opening track, ‘Light the Fire’. A track with high energy, showcasing only the best bouncy, punchy riffs that along with the hard-hitting drums from Cannata get the track off a great start. Not long after, we’re introduced to Frankie Rage, the lead singer who masterfully delivers a vocal and lyrical performance that is as striking as it is good. By no means a slow introduction, it already promises to be an album that you’ll want to hear again.

After the first track started off the album so well, the second track ‘Sick of it All’ promised to show the same quality as the initial track, and it did just that. A track with lyrics that tell a story of life through the Covid pandemic, demonstrating a storytelling ability in their lyrics, while also maintaining the same high quality music we were introduced to at the very start. Frankie Rage’s vocals, just as the last time, were spot on for what the song required, just as was the immense guitar solo by Dave Baron. Everything in both tracks come together brilliantly, getting ‘Last Chance’ off to a great start as an album.

Moving through the rest of the album, it’s clear that their sound is as consistent as it is good. Drums that blow the lid off, guitar riffs and solos that are the definition of rocking out, with vocals and lyrics that fit in each track, with a bass to keep it all together. Tracks such as ‘Don’t Wanna Be Your Man’ and ‘Kamikaze’ showcase the same qualities, with each part playing their part brilliantly just as they did at the start. The whole album is a demonstration of not just clear musical talent, but of a lyrical versatility that really does set them apart from the rest. Music that feels like an anger ballad, will seamlessly be followed up by tracks that sing on personal, heartfelt experiences, but with the same hard-rocking feel. Baron on guitars, Cannata on drums, Phillips on bass and Rage on vocals all perform brilliantly, adding to each other as they all show off their own individual talent that is undeniable by the end of ‘Last Chance’.

Overall, ‘Last Chance’ is an album that showcases some of the best examples of songwriting and vocals. The subject of the songs change, showcasing brilliant versatility, while keeping the same rock approach that feels new every single time. It has a sharp edge in its music and lyrics that is present throughout, and is one of the main reasons to keep listening track after track – the solos, the sharpness of lyrics, the drums, all combine to make an album that is worth anyone’s time.

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Kicking the album off is the brilliant lead single, ‘This is Chicago’. A song that is all about Camrose’s experience of being in Chicago as a trainee surgeon, it takes us through the first feelings of being somewhere new. A brilliant song that is only boosted by the command of lyrics that Camrose demonstrates throughout the track. The lyrical content on this album is the most striking aspect, with numerous experiences and feelings being penned that make fantastic music. Another example of this could ‘Didn’t Say’, where Camrose sings about his late parents, showing that he is able to write lyrics that speak to people in the most personal way.

After a strong start, it soon became apparent that this brilliant start would continue throughout the album. Tracks such as ‘A Storm Coming’ and ‘Won’t Matter to Me’ carried on the clear quality on display, with added rock-elements that helped the album stay fresh and exciting. By the end of the album, it’s a clear conclusion that Tim Camrose has unequivocal musical talent with the capability to create music that brings out different emotions, while keeping each song engaging and exciting.

An album more than worth your time, with each track having something to offer, ‘Half of My Life’ is an album that even the most seasoned musical veteran would be immensely proud of. Versatility, songwriting and vocal delivery all stand out as this album hits all the markers of being a truly great release. More than deserving of a spot in your playlist, ‘Half of My Life’ is ready for you to dive into right away!

Tim Camrose’s Website – http://www.timcamrosemusic.co.uk/

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JINJ are a class act, with high-production-value mini-films which are a treat to watch. More importantly, their music is fascinating. Contemporary beats and sounds brush up against traditional melodies and instruments in a wholly organic-sounding manner. The new video, “Cheat Code,” will be unveiled October 24th. Having had the privilege of an advance screening, I can say that it’s something worth looking out for.

In the meantime, you can view their other works here.

Also released this week, a new album by pianist, keyboardist and producer Công Minh Pham, who records as Matekita. Công has been playing since the age of seven, learning both classical and jazz styles. He embraces sonic experimentation and electronic sounds, sculpting his own, floating universe. Công’s latest record, And Then The Sun Rose In The West, available October 22nd, is a thrilling blend of fast, processed beats, live instrumentation and avant garde edges. Fans of progressive music will find plenty to savour.

Last, but not least, we have Promised Thing, the beautiful new album by talented talented finger-style guitarist, Nicolas Blampain. Blampain’s technique is astonishing and deceptively simple. There’s no showboating here, the guitarist paints lovingly-crafted, immersive pictures which can’t help but pull you in. Another who started young (aged 11), Blampain is a veteran of over 1500 concert appearances. Perhaps the most striking aspect of Promised Thing is how easy it is to forget that this is a solo album. The tracks here possess such width and depth that Blampain’s guitar offers an entire band’s worth of output.

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22nd January 2021 is a date that is destined to be marked in the annals of electronica history as the day that Wavewulf released his seminal synth masterwork, ‘Space Art and Angels’.

This album takes the listener on a supernatural voyage of galaxies, stars and supernovas that conjures up irresistible images of tranquil constellations and milky ways. Wavewulf is able to engineer this impact on the listener through his mastery of the synth that perfectly encapsulates an intergalactic sound, whilst the artist has also demonstrated his ability in conjuring up very powerful earth-bound emotions.

The album’s opening track track ‘Space Capsule’ is a wonderful instrumental composition that would perfectly fit into any science fiction film soundtrack and instantly demands the listener’s complete attention. The album’s stand out tracks lie in ‘Voyagers’ and ‘Ghosts of the Past’ which have an eerie vibe to them thanks to the exceptional synth playing combined with a gentle drum beat that creates a truly transcendent listening experience.

This album very much reminded me of Cliff Martinez’s scoring of the 2011 neo-noir flick ‘Drive’ starring Ryan Gosling, which also included dystopian, lo-fi synth pop sounds combined with mellow, leisurely-paced instrumentals that give the listener a space to reflect on their hectic lives.

‘Space Art and Angels’ is the eagerly anticipated follow up to Wavewulf’s equally compelling 2020 album ‘Green Decay’, continuing his blistering run of form with his latest release. Wavewulf claims that seeing Depeche Mode play live was the defining moment in his calling to join the echelons of electronic greats. This served as the catalyst for the New Jersey based musician to purchase a synthesiser and craft his unique blend of hypnotic electro that could rival any of the genre’s classic names such as Kraftwerk and Brian Eno.

Wavewulf has taken inspiration from artists throughout the 20th century and has successfully packaged his music for a modern audience to enjoy.

Check Out Wavewulf’s socials below:

Twitter: https://twitter.com/netnik808
Instagram: https://www.instagram.com/wavewulf/
Website: https://wavewulf.com/
Soundcloud: https://soundcloud.com/nicholas-long-10
Spotify: https://open.spotify.com/artist/14Ga39ZZGbQatNaqTcaloq
Youtube: https://www.youtube.com/channel/UCGHnDwx0pV_3V9C5FNRHfVg

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Following in the footsteps of his debut album ‘Easy Come, Easy Go‘, ‘Haunted Streets’ exceeds expectations with its authentic sound. For fans of Mark Knopfler, Christy Moore & Steve Earle, Davie’s storytelling throughout is sure to make listeners forget about the world’s toxicity for a while. Stick your headphones on, forget about your worries, and travel into the mind of Davie Furey; his song’s are sure to win your heart.

Listen to second single from the release below.

Facebook: https://www.facebook.com/daviefureymusic1/
Twitter: https://twitter.com/daviefurey?lang=en
Instagram: https://www.instagram.com/daviefureymusic/
Website: www.daviefurey.com
Soundcloud: https://soundcloud.com/davie-furey-music
Spotify: https://open.spotify.com/artist/0pJVfAuuVnqtwbSbwGPFwe?si=SHLtpXxfTd-XYVje1BdryA
Youtube: https://www.youtube.com/channel/UCcu9Y_Gr7wGQ7Gk9GRfQbbg/videos

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